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Jazz Forum - The European Jazz Magazine

   
  RECOMMENDED ALBUM: Skalpel (2004)
   
  RECOMMENDED ALBUM: Krzysztof Komeda Quitet - Astigmatic (1965)
   
  RECOMMENDED ALBUM: Andrzej Trzaskowski Sextet - Seant (1966)
   
  RECOMMENDED ALBUM: Zbigniew Namyslowski  Modern Jazz Quintet - Lola (1964)
   
  RECOMMENDED ALBUM: Zbigniew Seifert - The Man of the Light (1976)

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Polish Jazz - Freedom at Last
From catacombs to the free society - the Story of Polish Jazz

 

Part 1:

Chapter 2: Polish Jazz 1918-1939

Milestones:

The rebirth of Poland and the war with Soviet Russia

The beginnings of Jazz life in Poland

Ady Rosner

Polish Jazz at the end of 1930's


Flag of Poland November 11, 1918 marks the rebirth of Poland as an independent country. Resurrected in the aftermath of World War I, Poland became a democratic republic. The beginnings were not easy, at that time Poland consisted of three separate politically, culturally and economically parts, due to more then hundred years of forceful division of the late 18th century Polish state into three different countries: Russia, Austria, and Germany (then Prussia). The existence of the new republic was soon threatened by its neighbor - Soviet Russia. For Soviet's leader Lenin, the invasion of Poland was a prelude to something bigger - a transplant of Bolsheviks revolution into Germany. That, according to Bolsheviks plans, would lead them to the conquest of the entire Europe. After conquer of Poland, simultaneous attacks through Romania, Czechoslovakia and Hungary were planed, to provoke revolution in Italy. Poland was the major obstacle in Lenin's master plan for Communist Europe and the only one country separating Soviet and German revolutions. To make the matters worse for Poland, the non-existing Polish Army had to be hastily assembled from Polish soldiers from all over the world; there was not enough time for proper training, and not enough supplies nor arms. One observer describing the Polish Army said that they were "like so many children born of the same mother, but conceived by different fathers". The Polish-Soviet War was nasty, brutish and short. Starting with a pre-emptive attack by Poland against Soviet forces in Ukraine in April of 1920, it soon turned into the disaster for Poland. Not surprisingly, Polish Army was initially unable to match the strength of the several hundred thousand man strong Soviet Red Army, which ruthlessness was often compared to Genghis Khan's Mongol horde. Poles had to give up more then half of Polish territory and retreat to the Wisla river line. But what was later called by historians "the miracle at the Wisla river" (cud nad Wisla), the Polish army regrouped and in the final battle defatted the Red Army. After the end of the war Soviet losses were over 200,000 and Lenin's dream for Communist Europe vanished. The victory bought Poland two decades of freedom. During that time the Republic of Poland went through difficult process of re-birth, full of political turmoil, President's assassination, changing governments, military coup d'etat, ethnic conflicts, and economic difficulties. But despite all of the obstacles, the new Poland was able to achieve stunning success - coherent statehood, and one of the fastest growing European economies.

The Karasinski & Kataszek Jazz - Tango OrchestraDuring the period immediately after World War I the New American Music - Jazz began its European expansion, sweeping the continent from west to east, and from north to south. In 1923 the first Polish Jazz band was found; it was called "The Karasinski & Kataszek Jazz - Tango Orchestra" and was created by Zygmunt Karasinski, a saxophonist; Szymon Kataszek, Jazz pianist, violinist, clarinet player, composer, and arranger; Jerzy Petersburski, pianist and Sam Salvano, drummer. The band became an immediate sensation in Warsaw as the first Polish band playing the American Music, in style of Paul Whiteman and Red Nicholas. The Karasinski & Kataszek Jazz - Tango Orchestra became the most popular Warsaw dance orchestra, playing in popular night clubs and revue theatres, such as "Morskie Oko" or "Wesoly Wieczor". In 1934-1935, they even toured Europe and Middle East.

Another popular bands of that era included "Lofka Ilgowski Orchestra" heavily influenced by Benny Goodman's style, and "The Petersburski & Gold Orchestra", with leaders Jerzy Petersburski (piano), and Arthur Gold (violin). During the rest of "the 1920s Jazz Decade" the Petersburski & Gold Orchestra established itself as the most popular dance orchestra in Warsaw, performing at its most fashionable restaurant "Adria". Other popular Jazz music acts of that era included cellist and banjo player Fred Melodysta, composer Henryk Wars, pianist-composer Zygmunt Bialostocki, and bandleader Kazimierz Turewicz. All of them, beside regular concerts, often worked for the movie industry, contributing to countless films produced in Poland during the 1920s and 1930s. Poland's first record label - Syrena Records (crated in 1904) started documenting the first recordings of Polish Jazz.

In early 1934 the Polish National Opera opened its stage to Jazz art form and staged a premiere of the opera "Jazz band, Negro and Woman" - four years before historical Benny Goodman's 1938 Carnegie Hall concert. But the boom of professional Jazz movement in Poland in early 30's was due, most of all, to the fact that when, after1933, fascists came to power in neighbor Germany many musicians of Jewish provenance left. They came to Poland. Consequently, receptive and resource-hungry Polish Jazz society was strengthened by Ady Rosner's trumpet, Erwin Woheller's saxophone and Arkady Flato's swinging band.

Ady Rosner (1939)Trumpeter Ady Rosner soon became the best and the most popular Jazz musician in Poland. He formed a swinging orchestra with Polish musicians gaining wide recognition among critics and enchantment with audiences. The orchestra's vocalist Ludwig Lampel was hailed by the critics as "a sensational singer of European Jazz". Rosner's bands not only achieved national recognition but also an international reputation, touring extensively throughout Latvia, Denmark, Hungary, Netherlands, and France where he recorded three albums for French division of Columbia Records. Later on, after escaping Nazi German / Soviet invasion of Poland in 1939, Rosner emigrated to Russia where he went through series of unbelievable "alternative lives": from being the highest paid musician in all Russia to gulag's prisoner to (after Stalin death) driving force in Soviet Jazz. Rosner left Russia in 1973, and died in Berlin, Germany in 1976. Ady Rosner's input to the beginnings of Polish (and Russian) Jazz is unquestioned, and unparallel to any other musician. Most of the bands of that era played many different styles of dance music, and so did Rosner, but what distinguished his band was his mastery and focus on swing. During his time in Poland Ady Rosner gained the name of "the King of Jazz Virtuosos". One Polish critic wrote "Ady Rosner - Jazz sensation!", and in the British publication Melody Maker, the president of "Sweet and Hot Club of Brussels", called him "The Polish Armstrong!".

With the 1930s coming to the end, an era of swinging big bands came to Poland. Late 1930s were also a period of a radical change of music journalism. More and more frequently, articles not longer merely reported events; they were now based on note editions, radio broadcasts, recordings and films. The first music magazines from Paris, London and the USA as "Melody Marker", "Jazz Hot"," "Down Beat", "Metronome" arrived to Poland. At the same time first records of R. Steward, B. Bigard and C. Hawkins at the French label "Swing" hit the shelves in Warsaw, Cracow and Poznan. The records with music of Duke Ellington, Fletcher Henderson and Jimmie Lanceford were widely known and very popular. Nobody had anymore any doubts that Jazz music was finally being accepted and its influence upon music vulnerability was getting more and more widespread. Its all came to the abrupt end in September of 1939 with the invasion of Poland by allied armies of Nazi Germany and Soviet Russia and the beginning of World War II.

BACK      NEXT CHAPTER


The Origins  ‡  1918-1939  ‡  1940's-1950's  ‡  1960's  ‡  1970's  ‡  1980's  ‡  1990's  ‡  2000's

 

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