Kaczmarek by Mozdzer (Jan A.P. Kaczmarek movie scores played by Leszek Mozdzer)
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Mozdzer play on this record is very emotional. He builds moods with space and light, using very simple means, though music is infinitely refined...
LESZEK MOZDZER Kaczmarek by Mozdzer Jan A.P. Kaczmarek movie scores played by Leszek Mozdzer
Label: UMP, Poland, 2010 Catalogue No: 2736437 Format: CD
Tracks:
1. Frank & Roxanne - The Third Miracle 2. Violent Variation On Maya's Theme - Lost Souls 3. Postscriptum 4. Unfaithful (Piano Variation) - Unfaithful 5. Neverland - Finding Neverland 6. Children Arrive - Finding Neverland 7. The Park On Piano - Finding Neverland 8. Nadchodza Swieta -Hania 9. At Home - Unfaithful 10. Frascati - Hania 11. Neverland - Minor Piano Variation - Finding Neverland 12. Hania Jest Piekna - Hania 13. Evening - Piano Overture - Evening 14. Memories Of The Evening - Evening 15. Buddy - Evening 16. Chasing Moth - Evening 17. After The End - Evening 18. Parker's Dance Played On Piano - Hachi 19. Parker & Hachi - Hachi 20. Hachi, Parker & Cate - Memories - Hachi 21. Buddy's Memories - Evening
Performed by:
Leszek Mozdzer - piano
Recorded:
2000-2010
About:
Leszek Mozdzer is arguably the most recognized Polish jazz pianist. . But Mozdzer's multi-faced personality still contains land unexplored because he is also very active in the field of film music. First he began to collaborate with Zbigniew Preisner, a film music composer, famous for being author to films directed by Krzysztof Kieślowski, but his relationship with Jan A. P. Kaczmarek, dating back to 1999, has become as much fruitful resulting in numerous soundtracks for films among which is Oscar winning track for Marc Foster Finding Neverland (2004). Mozdzer play on this record is very emotional. He builds moods with space and light, using very simple means, though music is infinitely refined. Honestly speaking this music has little in common with jazz if we define it as syncopated music. What we hear here is one of the greatest jazz-man making music, a person who clearly outgrown the limits of jazz as genre, but still remaining part of Polish jazz.
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