F O T O N group came into existence as a result of a monochromatic heliography process. The appliance of this process on an acoustic jazz quartet playing original improvised music lead to creating a new conception of sound and form granting equal rights to both improvisations and permanent elements of composition.
Gerard Lebik * Artur Majewski Foton Quartet
Zomo Hall
Label: NotTwo, 2010
Catalogue No: MW 847-2
Format: CD
Tracks:
1. One [12:54]
2. Two [12:14]
3. Three [08:32]
4. Four [16:12]
5. Five [01:43]
Line-up:
Gerard Lebik - tenor sax, contra alto clarinet
Artur Majewski - trumpet
Jakub Cywinski - bass
Wojciech Romanowski - drums
Reviews:
The rich and versatile Polish jazz scene has gone through a big transform in interest over the last decade. Due in large part to the resurgence of the great Tomasz Stanko. Over the last few years a number of artists have leaped into the consciousness of jazz fans all across the globe. From Marcin Wasilewski Trio, Mikrokoletyw to RGG Trio, Polish artists are showing us all that great, creative and forward thinking jazz can come from more than just Norway, Sweden, Portugal, Denmark, England, U.S. and a few select countries. One such collective is Foton Quartet and their debut, Zomo Hall (Not Two Records). Zomo Hall might sound like a trip into the avant garde for the uninitiated, its actually upon the deeper listening that you will find the detail. There are qualities here that are reminiscent of the more experimental work of Ornette Coleman, Don Cherry and Art Ensemble. But the journey through these six "untitled" tracks is truly fruitful and a superb listen. Artur Majewski (also a member of the duo Mikrokoletyw) and Gerad Lebik combine to bring forth some incredible phrasing and stellar improvising throughout this recording. Track three has a steady meditative tonality with both horns taking different patterns while Cywinski lays down a dreamlike bassline. Majewski later gains a bit of steam midway through but the track never loses its reflective aural sculpture. Track five brought back memories of listening to Ornette Coleman's soundtrack for Naked Lunch. It's a journey through recess of my own mind that I'd rather not experience. A powerful performance from both Lebik and Cywinski, who turns his bass almost into a cello. This is the longest track on the album but its also the deepest and most creative as it takes the listener through a number of different themes all quiet in nature but adventurous in execution. Track six does stretch out with the band demonstrating that it can take the listener to far reaches of thought while still holding your interest (in only two and a half short minutes). Foton Quartet is yet another piece of the new Polish jazz scene that must be heard by a wider audience. Zomo Hall standups against anything from rest the minimal, avant garde in other countries. And the work of Artur Majewski should really start to be noticed by more people as well. His collaborative work on the scene for me, is some of the best in Europe at the moment. Zomo Hall was a hard record for me to find. I had known about it for some time but couldn't even stumble across it. Then one day my good friends at Downtown Music Gallery got it in and I immediately put down the money. I suggest if you are interested in something new and creative--do yourself a favour and pick up Zomo Hall. Highly Recommend!
(Maciej Nowotny, polish-jazz.blogspot)
*****
...sometimes I wonder just how many gifted improvisers known & unknown are there around the world... hundreds? thousands? even more? There seems like an endless supply as more independent label emerge and release so many interesting discs. Take this disc, for instance... strong, careful, minimal, acoustic avant jazz with tenor sax, trumpet, acoustic bass and drums. This could be a quiet section from an Art Ensemble disc or a Henry Cow album or any other acoustic improvisers showing a good deal of restraint. All four members of the quartet are of even ability and temperament. Is that Don Cherry or Nate Wooley or someone new & as yet unknown? There is something very natural and righteous about this music. On the second unnamed track, the sound is still subdued with moments of joyous dreamy groove-like blends. It is actually that calm center that makes this so magical at times. In a blindfold test, you would certainly come up with numerous more famous musicians but you wouldn't be too far from this does sound like.
(Bruce Lee Gallanter, Downtown Music Gallery)
*****
The rich and versatile Polish jazz scene has gone through a big transform in interest over the last decade. Due in large part to the resurgence of the great Tomasz Stanko. Over the last few years a number of artists have leaped into the consciousness of jazz fans all across the globe. From Marcin Wasilewski Trio, Mikrokoletyw to RGG Trio, Polish artists are showing us all that great, creative and forward thinking jazz can come from more than just Norway, Sweden, Portugal, Denmark, England, U.S. and a few select countries. One such collective is Foton Quartet and their debut, Zomo Hall (Not Two Records). Zomo Hall might sound like a trip into the avant garde for the uninitiated, its actually upon the deeper listening that you will find the detail. There are qualities here that are reminiscent of the more experimental work of Ornette Coleman, Don Cherry and Art Ensemble. But the journey through these six "untitled" tracks is truly fruitful and a superb listen. Artur Majewski (also a member of the duo Mikrokoletyw) and Gerad Lebik combine to bring forth some incredible phrasing and stellar improvising throughout this recording. Track three has a steady meditative tonality with both horns taking different patterns while Cywinski lays down a dreamlike bassline. Majewski later gains a bit of steam midway through but the track never loses its reflective aural sculpture.
Track five brought back memories of listening to Ornette Coleman's soundtrack for Naked Lunch. It's a journey through recess of my own mind that I'd rather not experience. A powerful performance from both Lebik and Cywinski, who turns his bass almost into a cello. This is the longest track on the album but its also the deepest and most creative as it takes the listener through a number of different themes all quiet in nature but adventurous in execution. Track six does stretch out with the band demonstrating that it can take the listener to far reaches of thought while still holding your interest (in only two and a half short minutes). Foton Quartet is yet another piece of the new Polish jazz scene that must be heard by a wider audience. Zomo Hall standups against anything from rest the minimal, avant garde in other countries. And the work of Artur Majewski should really start to be noticed by more people as well. His collaborative work on the scene for me, is some of the best in Europe at the moment. Zomo Hall was a hard record for me to find. I had known about it for some time but couldn't even stumble across it. Then one day my good friends at Downtown Music Gallery got it in and I immediately put down the money. I suggest if you are interested in something new and creative--do yourself a favour and pick up Zomo Hall. Highly Recommend!
(Stephan Moore, jazzwrap.blogspot)
*****
There is nothing like pure and free musicality, flowing notes moving slowly forward, embracing one another in a common one-directional stream, yet totally unpredictable like the water sliding between rocks in a mountain river. So is this music. The band is Gerard Lebik on tenor sax and contra alto clarinet, Artur Majewski on trumpet, Jakub Cywinski on bass, and Wojciech Romanowski on drums. And yes, you're right: yet again another stellar band from Poland. Both horn-players were recently reviewed in separate duo settings, but hearing them together is a pure joy. The music reminds of "Other Dimensions In Music" because of its small band coherence and freedom, or more recently "Nuts", or "Les Fées Du Rhin", and the "Collective 4tet", bands that combine great musical adventure with fragile sensitivity, and albums that received top-ratings. The most stunning aspect of the music is its great natural and organic sound, as if every note grows out of the previous one, without the need to demonstrate skill or use special effects or to be different in form. And the end result is skillful, and special, and different ... as the result of talent and creative vision. Extremely beautiful! The year has only just begun, and this is to me already a strong contender for the best of the year lists.
(freejazz-stef.blogspot)
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