Trzaska's movie score features Mikolaj Trzaska on alto saxophone, bass clarinet, taragot, farfisa and other keyboards, Clementine Gasser on 5 string cello, Tomasz Szwelnik on piano, Clayton Thomas on double bass, and Michael Zerang on drums.
Mikolaj Trzaska Dom Zly / Dark House
Label: Kilogram Records 2003 Catalogue No: KG 18 Format: CD
1. snowflake / deadwife / illegal travel 2. toilet fear / drink driving dance 3. yeast business 4. snow romance / burning tail 5. after explosion 6. koschmar / volga tune 7. killers on the snow / retrospace / Amundsen's ship "Fram" / hit and sunlight 8. flicker / cutlery attack / arsonist 9. scream of archers / march of sorrow / chasing in deep snow 10. dark house / shining / worse / ......... / little better
All compositions by Mikolaj Trzaska Except: Snow Romance, After explosion by Trzaska/Gasser/Thomas Amundsen's ship "Fram" by Trzaska/Gasser/Thomas/Zerang
Line-up:
Mikolaj Trzaska - alto saxophone, bass clarinet, taragot, farfisa and other keyboards. Clementine Gasser- 5 string cello Tomasz Szwelnik - piano & prepared piano Clayton Thomas - double bass Michael Zerang - drums & percussion
Recorded:
21 & 22 March 2009 at the Studio Radia Gdańsk by Jacek Puchalski
Reviews:
It is hard to assess the soundtrack for a movie without knowing the movie, and it rarely happens that the music is sufficiently entertaining to stand on its own. Despite its inherent qualities, the same holds true for this album by Polish saxophonist and composer Mikolaj Trzaska, whose achievements have been appreciated before on this blog. The musicians are Mikolaj Trzaska on alto saxophone, bass clarinet, taragot, farfisa and other keyboards, Clementine Gasser on 5 string cello, Tomasz Szwelnik on piano, Clayton Thomas on double bass, and Michael Zerang on drums. Trzaska has written scores for theater before, and he manages to find a good balance between strong genre-bending compositions, and a very expressive performance. The ten tracks are in the same vein : from the sad over the menacing and the agonizing. Some pieces are stellar, like the weird and horrifying opening track, the sensitive dialogue between clarinet and cello on "After Explosion", the gloomy, fear-drenched and hair-raising title track. But obviously the music has to support the action in the movie too, also at the emotionally more neutral moments. Most pieces are mini-suites, with themes and moods evolving in often very short time spans, and clearly determined by another logic than can be understood without seeing the pictures. Yet, in soundtrack terms, this is without a doubt one of the most avant-garde I've heard.
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