Tomasz Szwelnik / Mikolaj Trzaska - Don't Leave Us Home Alone
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Can you imagine a ballad composed of the same wild, unruly, non-harmonic sounds? Improvised without melodic line clearly outlined? Such, whose phrase is not memorable and the sound is difficult to repeat that? If you are able to state it can also imagine the music Mikolaj Trzaska and Thomas Szwelnik for alto saxophone, bass clarinet and prepared piano.
Tomasz Szwelnik / Mikolaj Trzaska Don't Leave Us Home Alone
Label: Kilogram Records 2011 Catalogue No: KG 19 Format: CD
1. Don't Leave Us Home Alone 2. The Last Three Cookies 3. He Could Hear Trees Grow 4. A Man Inside A Knight 5. He Saw Them Get In, But Couldn't Do Anything 6. Friend, Brother, Hero 7. Smoke Was Gathering Under The Eyelids 8. Eric, Leave The Lights On When You Leave 9. Quicksilver Child 10. To Stand On Tiptoe 11. Stroking A Dragon's Muzzle 12. Cleaning Using Stardust 13. Between The Ship's Ports 14. Don't Talk To Me When I'm Driving 15. Watermarks 16. He Understood How The Dog Operates 17. Hands Tied With A Hair Band 18. His Heart Was His Stove Fuel 19. The Piglet Is Remembering Its Life
All compositions by Tomasz Szwelnik and Mikolaj Trzaska
Line-up:
Tomasz Szwelnik: prepared piano Mikolaj Trzaska: alt sax, bass clarinet
Details:
Music Produced by Mikolaj Trzaska Cover d-sign by Iwona & Pawel Duczmal Inspired by Antek Trzaska dedicated to Janusz Hajdun
Recorded:
20 December 2008 /July 2010 at the Studio Radia Gdansk by Jacek Puchalski Mixing and Mastering by Jarogniew Milewski
Review:
Can you imagine a ballad composed of the same wild, unruly, non-harmonic sounds? Improvised without melodic line clearly outlined? Such, whose phrase is not memorable and the sound is difficult to repeat that? If you are able to state it can also imagine the music Mikolaj Trzaska and Thomas Szwelnik for alto saxophone, bass clarinet and prepared piano. It is in this music great intimacy and the very concept of merit in realization of this recording, is the use of the piano. Its preparation for the descent of the interior of the instrument, which micro sounds meet with the concert hall so clearly - what can you not hear that will not be as strong as on the album chords for saxophone and clarinet. (Joseph Paprocki, JazzAbout.pl)
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