Michael Marcus - a criminally under-sung multi-instrumentalist (AllAboutJazz)
Michael Marcus
Lotus Symphony
Label: NotTwo (2010)
Catalogue No: MW 807
Format: CD
Tracks:
1. As Always, Our Blessings 9:26
2. Seal Rock - Bird Rock (trio) 6:37
3. Peace People Theme 6:56
4. Elypsis 4:40
5. Sumatra 8:46
6. Seal Rock - Bird Rock (duet) 3:50
7. Lotus Symphony 6:12
8. As Always, Our Blessings (reprise) 1:08
All compositions by Michael Marcus
Line-up:
Michael Marcus: Bb clarinet
with:
Antoine Roney: tenor sax (#3)
John Austria: piano (#1,8)
Radu ben Judah: bass (#1,2,5,7)
Rashaan Carter: bass (#3,4)
Taru Alexander: drums (#1,3,5)
Jay Rosen: drums (#2,4,6,7)
Recorded:
in New York City on March 8 and March 25, 2008 at Tainted Blue Studios
Reviews:
A criminally under-sung multi-instrumentalist, Michael Marcus' collaborations
with Ted Daniel, Frank Lowe, and Sonny Simmons over the past two decades have
yielded some of the most enduring and adventurous sounds in modern jazz. A
soulful stylist on soprano, alto, and baritone saxophone, Marcus is also an
advocate of the more esoteric members of the saxophone family, such as the
manzello, stritch, and saxello (all originally popularized by Rahsaan Roland
Kirk).
Lately however, Marcus has abandoned doubling in order to focus solely on the
clarinet, recording with it exclusively for the first time on The Magic Door
(Not Two, 2006) and most recently on Golden Atoms (Soul Note, 2008). Assisted by
a rotating cast of players for his newest venture, Lotus Symphony features
Marcus' clarinet in a variety of settings, alternating personnel line-ups from
tune to tune. From freewheeling duets to adroitly arranged quartets, Marcus'
supple woody tone and nimble phrasing serve as the date's focal point.
Where most multi-instrumentalists use the clarinet to provide timbral shading or
evocative nostalgia, Marcus explores the instrument's nuanced tonality over a
four octave range, revealing an array of emotion and sonic depth. Nowhere is
this more prominent than on "As Always, Our Blessings" which opens the album
with the regal modal grandeur of mid-period Coltrane. Marcus extracts stirring
fragments from a bittersweet melody, soaring over the modulated comping of
pianist John Austria, transforming the tune into a timeless meditation that
frames bassist Radu ben Judah's sinewy arco solo.
Marcus revels in the strident, clarion quality of his instrument; "Seal Rock -
Bird Rock (duet)" pits Marcus against drummer Jay Rosen in a vivacious duet—a
roiling vortex of keening circuitous cadences and scintillating percussive
accents. "Peace People Theme" finds the clarinetist in a rousing dialog with
muscular tenor saxophonist Antoine Roney, as bassist Rashaan Carter and drummer
Taru Alexander set up a fulminating undercurrent for the two horn players to
navigate.
"Sumatra" offers a dynamic study in contrasts, veering from languid to vigorous.
Beginning with an opulent melody and lilting rhythm, the tune undergoes a
dramatic transformation at the halfway mark; Judah and Alexander kick the
leisurely rhythm into brisk double time, inspiring Marcus to his most fervent
playing of the set.
Marcus reveals a sentimental side on "Elypsis." Pirouetting effortlessly between
the chalumeau and altissimo register, Marcus maintains complete control,
unveiling elegant variations on a winsome melody with tasteful restraint and a
masterful technique. From the spirited to the soothing, Lotus Symphony offers a
diverse and compelling journey. Expanding the conceptual reach of one of the
woodwind family's oldest members, Marcus joins the ranks of such visionary jazz
clarinetists as Don Byron, John Carter, Jimmy Giuffre, and Perry Robinson.
(Troy Collins, AllaboutJazz)
*****
Downtown multi-reeds wiz, Michael Marcus, has been concentrating on B-flat
clarinet only on his past few discs. This is good thing since Mr. Marcus just
gets better and better on his clarinet. Starting with "As Always, Our
Blessings", Michael plays exquisitely and spiritually with strong piano, bass
and drums around him. Somewhere in between Andy Statman and Ben Goldberg,
Michael plays his clarinet most expressively, his solo here is just right. "Seal
Rock - Bird Rock" is done as a duo and a trio with the great Jay Rosen (Trio X)
on drums. Jay's cymbal playing is especially fine on both versions. Again,
Michael's sly clarinet solo is something go behold. Three of these pieces
feature a different rhythm team who are also truly fine. On "Peace People
Theme", Michael is joined by Antoine Roney on tenor, both men swirl around one
another in righteous tandem with a strong solo from Antoine. I dig the delicate
sound of "Elypsis" with a long, inspired, playful (soprano sax-like) solo from
Michael. The title track, "Lotus Symphony" is another calm yet inspired piece
with a most enchanting theme and superb solo from Mr. Marcus. Over the past
decade we've seen/heard more folks concentrating on the clarinet. On "Lotus
Symphony", we find that Michael Marcus is one of the best clarinetists around.
(BLG, Downtown Music Gallery)
*****
I have always liked Michael Marcus' knack for lyrical improvisation, and on
this album he does it again. (stef, freejazz-stef.blogspot.com)
*****
Comparing the different readings of these fine compositions is both
fascinating and fun. (Marc Medwin, All About Jazz)