Karnas' singing – regardless of whether it's lyrics, syllabics or scat – is never for show; it's always music. Vocalists are probably a bit more susceptible to the lure of “shining” at all costs than are other instrumentalists. Karnas doesn't care about shining. He wants to make music. This is audible in every composition, in every measure he sings.
Grzegorz Karnas
Sny (the Dreams of the Ninth Floor)
CD-02 DeBies, Poland (2004)
The material itself took Karnas two years to complete as for differentiating its contents without distorting the impression of the wholeness, in both, the lyrics and the music within one sound. Besides, the album is very well-spaced sonically. It meets an average audiophile's requirements and is musically absorbing although giving one a lot of breath. an exceptional production!
Tracks:
1. Sny (Dreams) [14:04]
2. Nie mozna mowic klamstw (You Can't Be Tellin' Lies - Act 1) [04:25]
3. Bye Bye Blackbird [04:22]
4. Fraszka (Epigram) [04:49]
5. Dol mi plonie (Bottom's Burning) [01:36]
6. Nie mozna mowic klamstw (You Can't Be Tellin' Lies - Act 2) [05:41]
7. Dol mi ploni (Bottom's Burning) [01:22]
8. Zdziwko (Surprise) [04:54]
9. Lalla [04:08]
10. Nie powiem (I Won't Say) [06:13]
11. Wytezam (My Broadsward) [05:02]
12. Outro przestrzen (Outro Space) [01:28]
Performed by:
Grzegorz Karnas - vocals, loops, touth drum
Tomasz Szukalski - tenor saxophone
Jerzy Malek - trumpet
Michal Tokaj - Fender piano
Damian Kurasz - guitars
Bogusz Wekka - congas
Robert Kubiszyn - basses
Adam Oles - cello
Patrycja Gola - voice
Sebastian Frankiewicz - drums
Recorded:
2004, Poland
About:
Grzegorz Karnas was born in Upper Silesia, Poland, to a family devoid of musical traditions. Finished one year of classical guitar at the secondary music school in Rybnik. Graduate of the Jazz Institute of the Academy of Music in Katowice, considered prestigious in Poland.
Karnas has worked with top-line younger artists of Poland's jazz scene( Michał Tokaj, Krzysztof „Dzida” Dziedzic, Adam Kowalewski, Łukasz Żyta or famous ECM label artists such as Michał Miskiewicz and Sławomir Kurkiewicz), as well as its legends (Tomasz Szukalski, Kazimierz Jonkisz ). In 1998, he was awarded first prize at the International Jazz Vocalists' Meeting in Zamość. The following year, his debut album "Reinkarnasja" (Nottwo 2002) was released and put Karnas on the road touring throughout the main clubs and festivals in Poland and Slovakia (International Jazz Pianists' Festival in Kalisz, Bratislava Jazz Days, Jazz Jamboree at Polish Radio Concert Studio). Summer of 2004 saw the premiere of Grzegorz Karnas' self-produced solo project "Sny-Dreams of a Ninth Floor" (DeBies 2004) promotion of which took place with a series of over 30 concerts in Poland (Warsaw Summer Jazz Days), Slovakia and Czech Republic, Prague Jazz Open, Jazz Goes To Town in Hradec Kralove , International Jazz Festival in Kosice), Germany, Romania (Sibu Jazz Festival) and many others. Karnas has finished working on a new album “Ballads for the End of the World” featuring brilliant silesian cello player Adam Oleś. Promotions of both projects are forseen in 2006/07. In 2006 Karnas was awarded first prize at Young Jazz Singers Competition Brussels.
What the critics say:
"Karnas' singing – regardless of whether it's lyrics, syllabics or scat – is never for show; it's always music. Vocalists are probably a bit more susceptible to the lure of “shining” at all costs than are other instrumentalists. Karnas doesn't care about shining. He wants to make music. This is audible in every composition, in every measure he sings. Karnas should also be appreciated not only for talent and vision, but for will-power, self-control, and possessing the level of humility that's essential to keep art from becoming a spectacle." (Robert Buczek, Jazz Forum)
*****
"There is no mannerism to Karnas's singing. One could even say that his poetic texts create an additional level on which a listener receives him, something rarely encountered in this type of music." (IX Mezinárodní Jazz & Blues Festival Ústí Nad Labem)
*****
"Karnas scats with verve, has an excellent feel for phrasing, and raps intelligently, employing irony with sophistication. Besides that he has a characteristic, slightly raspy-sounding voice that intrigues the ear and focuses the attention of the listener. (Marek Dusza, Rzeczpospolita )
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