Michael Marcus has been an active member of the New York jazz scene since 1982. In addition to leading groups of his own, he has a considerable reputation ...
Michael Marcus The Magic Door
Label: NotTwo, 2006 Catalogue No: MW 777-2 Format: CD
Tracks:
1. The Magic Door [05:54] 2. Hey Pee Wee (for Pee Wee Russell) [04:22] 3. Blue Reality [04:38] 4. Sonic Corridors [06:02] 5. Abstractions in Lime Caverns [08:41] 6. One More Minute [06:17] 7. Morning Daffodil [08:18] 8. Circular Worlds, Sitting Lights [04:32] 9. Sunset Falling in the Mirrors [07:01]
Recorded:
May - September 2006, in New York City
Performed by:
Michael Marcus - Bb clarinet Daniel Levin - cello (1, 4, 9) Rashaan Carter - bass (2) Francois Grillot - bass (1, 3 - 6, 8, 9) Eric Rrevis - bass (7) Jay Rosen - drums (1 - 6, 8, 9) Newman Taylor Baker - drums (7)
About:
The sessions on The Magic Door took place in New York City, with Michael Marcus playing B-flat clarinet exclusively and leading a core trio completed by fellow Cosmosamatic Jay Rosen on drums and bassist Francois Grillot. Cellist Daniel Levin sits in on three cuts, including the title track, and his bow provides strained harmonies for the leader’s sweetly rounded tone. It’s also a pleasure to hear bassist Eric Revis (in tandem with drummer Newman Taylor Baker) outside of the Branford Marsalis Quartet on “Morning Daffodil”, dragging the tune just a little more than Grillot might. By handling composition, arrangement and production duties, as well as concentrating on only one horn in his repertoire, on the The Magic Door Marcus ensures that the artist alone has decided what you hear. (Jeff Stockton, AllAboutJazz)
Bio:
Michael Marcus, a performer on various reed instruments, possesses a full, rich tone and a logical yet open-ended style of phrasing that reflects his background in both bop and free jazz.
From 1977 to 1980, Marcus toured with blues artists Bobby “Blue" Bland and Albert King. Marcus made his recording debut in 1982 on Sonny Simmons and Billy Higgins' Backwoods Suite. Marcus continued to play and study jazz in New York for the next decade, but his work from this period is largely undocumented.
1992, however, saw the release of Under the Wire, featuring William Parker, Joseph Bowie, Ted Daniel and Reggie Nicholson, among others. Marcus continued to record in earnest throughout the 1990s, performing on a string of albums under his own name. The first of those was 1994's Here At!, which marked the only time that Fred Hopkins had recorded with either Denis Charles or William Parker. 1995 saw the release of a self-titled album by Saxemble, in which Marcus played with Frank Lowe, James Carter and others. In 1996, CIMP released two albums by Simmons that featured Marcus. In 1997, Marcus toured with pianist Jaki Byard, and their collaboration, Involution, was released in 1998. In 1998 and 1999, Marcus' other projects included writing string arrangements for his compositions. His 1999 release In The Center Of It All marked the first of two collaborations with organist Rahn Burton. During the 1990s, Marcus also appeared on plenty of festival bills in the United States and Europe.
Since 2000, Marcus has continued to perform and record frequently. With Simmons, he co-led two albums by the Cosmosomatics, and he also performed on Jemeel Moondoc's big-band date Spirit House. He also played on his own albums, including Live In N.Y., Sunwheels and the solo album Speakin' Out.
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