Vocalist Grzegorz Karnas's latest album, titled “Karnas”, is a one-of-a-kind mixture of 'borrowed songs' and original compositions by this outstanding alternative performer, whose creativity draws from a broad range of musical genres which, by virtue of his tremendous expressiveness, unique lyrics and exquisite playing on the part of the band, are fused into a single, coherent, jazz-based whole.
Grzegorz Karnas Karnas
Label: Fonografika, 2011 Catalogue No: Format: CD
Tracks:
zima
słodka
langue d’amour
passe ton tour
spytaj milicjanta
langue d’amour 2
summertime doubts
langue d’amour 3
commuting obsessions
roxanne
słodka – reprise
what do you say and why?
fin d'été
on a heal-out
langue d’amour 4
black crow
język miłości
trois visages
zima - reprise
bonus tracks
the well (bonus track on 2LP edition)
you can’t be telling lies (bonus track on 2LP edition)
Line up:
Grzegorz Karnas – vocal, voices Michał Tokaj - piano Adam Oleś - cello Michał Jaros - bass Sebastian Frankiewicz – drums
About:
Vocalist Grzegorz Karnas's latest album, titled “Karnas”, is a one-of-a-kind mixture of 'borrowed songs' and original compositions by this outstanding alternative performer, whose creativity draws from a broad range of musical genres which, by virtue of his tremendous expressiveness, unique lyrics and exquisite playing on the part of the band, are fused into a single, coherent, jazz-based whole. ... It’s been more than fourteen years since Grzegorz Karnas started his own bands. His project in concert is either a quartet or a quintet, and though its instrumental line-up (drums, acoustic bass, piano, cello and vocal) could portend somewhat of a mainstream adventure, it is far removed from the classical paradigm, although Karnas loves to perform jazz standards. The group like drawing on the trance -like nature of ostinatos and the abstraction of modal playing, developed on the basis of simple and catchy melodic themes. A brief, general outline of Grzegorz Karnas’s Vocal Cello Quintet in concert would be: energy-filled, groovy, acoustic music-making with a hefty dose of improvisation, at times almost bordering on musical nonchalance.