KOMEDA PROJECT, a jazz quintet, was brought to life from a desire to perform - on this side of the Atlantic - and be able to hear live, music of Krzysztof Komeda again.
Komeda Project
Crazy Girl
Label: WM Records (2007)
Catalogue No: WAD 01
Format: CD
Tracks:
1. Crazy Girl - Krzysztof Komeda
2. Kattorna - Krzysztof Komeda
3. Ballada - Krzysztof Komeda
4. Is That Your Final Answer? - Andrzej Winnicki
5. Svantetic Prelude - Krzysztof Komeda
6. Svantetic - Krzysztof Komeda
7. Tail Peace - Andrzej Winnicki
8. Stop Time - Andrzej Winnicki
9. Sleep Safe and Warm - Krzysztof Komeda
All music arranged by Andrzej Winnicki
Personnel:
Andrzej Winnicki - piano
Krzysztof Medyna - tenor and soprano saxophones
Russ Johnson - trumpet and flugerhorn
Michael Bates - bass
Dave Anthony - drums
Recorded:
Recorded 11.22.05 and 1.25.06 at The Studio, New York City
About:
“An innovator with a complex of tradition, romanticist expressing himself in the contemporary idiom, poet of piano – this was Krzysztof Komeda, one of those musicians who have widened the essence of jazz” (Adam Slawinski).
In his short life (until untimely death after a tragic accident in Hollywood at the age of 38), Krzysztof Komeda (1931-1969) wrote music for more than 60 films, including classics of the Polish cinema by the Academy Award winners Roman Polanski and Andrzej Wajda. It was Polanski who gave Komeda his first commission in 1957, and used his music in almost all of his films over the next decade (including “Knife in the Water”, “Repulsion”, “Cul-de-Sac”, “Tenant” and “The Fearless Vampire Killers”); inviting him to Hollywood in 1967 to score his American film debut, “Rosemary’s Baby.” According to Polanski himself, the popular and critical success of “Rosemary’s Baby” owed much to Komeda’s empathy and creative imagination. Even though Komeda’s film scores quite often made use of Jazz and improvisation, it is the music he wrote to perform and record as a pianist with his own jazz groups, especially 1965 recording of “Astigmatic,” that helped to develop a uniquely European (in structure and lyrical content, especially) style in jazz composition.
Krzysztof Komeda’s compositions are often kept in an “open” form and are eminently suitable for various performing styles. KOMEDA PROJECT, a jazz quintet, was brought to life from a desire to perform - on this side of the Atlantic - and be able to hear live, music of Krzysztof Komeda again. Their musical roots in Poland, founders of KOMEDA PROJECT, pianist Andrzej Winnicki and saxophonist Krzysztof Medyna toured Europe extensively during the 1980's with their original jazz group Breakwater. The group was featured at European jazz festivals, won an international jazz competition (best group and best instrumentalist - Krzysztof Medyna), and was broadcast on television and radio. Later, Medyna also performed and recorded as a member of the group In/Formation, frequently touring side by side with ECM recording artist, trumpeter Tomasz Stanko who worked on all of Krzysztof Komeda’s Polish soundtracks from 1964 onwards and was the composer’s closest musical associate and band member from 1963 until 1968. In the United States, Winnicki and Medyna revived their original group during the 90’s under the name Electric Breakwater, performing in such places in the New York Tri-State area as Zanzibar, The Five Spot, 55 Bar, St. Peter's Church, Lincoln Center, Trumpets, Club Bene, and many others. Electric Breakwater’s CD “In the Bush” with Mark Egan on bass and Rodney Holmes on drums (drummer on Carlos Santana's "Supernatural" megahit album as well), is still available on amazon.com. The following musicians complete the current lineup of the KOMEDA PROJECT group: Trumpeter Russ Johnson, a Manhattan School of Music graduate, is an active performer in the jazz, improvised, and contemporary classical music scenes throughout the U.S. and abroad. He has performed and/or recorded with a long list of heavyweights including: Lee Konitz, Kenny Wheeler, Bill Frisell, Joe Lovano, Richie Beirach, Mark Ribot, Charles Earland, David Liebman, The Jazz Passengers, Oliver Lake, Elvis Costello, Debbie Harry, Lou Reed, Laurie Anderson, Brian Blade, Aretha Franklin and Tony Malaby. A native of Canada, bassist Michael Bates is a graduate of the University of Toronto and has studied with bassist/composer Mark Helias, Don Thompson, Dave Young and has also worked under the former principal bassist of the Tokyo Symphony, Yoshio Nagashima. He has toured Hong Kong, China, Korea and Japan and performed across the United States and across Canada. Michael Bates is on faculty at the Banff Centre of the Arts as Program Coordinator of the International Jazz Workshop where he works with the artistic director, Dave Douglas. Drummer Dave Anthony also holds a degree from Manhattan School of Music. He began his professional career touring and recording with Oscar Award winning Tan Dun, composer of "Crouching Tiger Hidden Dragon" movie score. He has recorded and/or performed with Glen Burtnick (songwriter/Styx), "Electric Breakwater" and Broadway’s "Swing" and “Moving out”.
Bringing Krzysztof Komeda’s wondrous music back to life is what KOMEDA PROJECT is all about. “He expanded the range of expression in jazz by adding a dramatized lyricism – it’s force reaching the intensity of ecstatic and mystical experience.” (Adam Slawinski).)
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