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Tomasz Stanko - A i J
Tomasz Stanko Quartet redefining modern bop as captured in this live performance from July 1982.
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Tomasz Stanko - Balladyna
Stanko’s first for ECM, and a splendid introduction to the “predatory lyricism” that is the Polish trumpeter’s stylistic trademark.
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Tomasz Stanko - C.O.C.X.
Stanko's romantically rocking trumpet, Apostolis' guitar solos on their way from Greece to Jamaica, J.A Torress' Latin congas, Rek's swinging bass - all those integrands create an experience which tend to be everybody's favorite, even among the folks who are not especially keen on post-electric Miles grooves.
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Tomasz Stanko - Chameleon
Re-mastered versions of 11 fantastic compositions by the legend of Polish jazz. The album features great musicians Apostolis Anthimos (electric guitar, electric bass, drums, percussion, sampled percussion) and Janusz Skowron (piano, synthesizer, sampled percussion). Immediately recognizable, Stanko's trumpet creates melancholic, lyrical atmosphere.
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Tomasz Stanko - Dark Eyes
Tomasz Stanko s smouldering Slavic soul music and grainy-toned trumpet finds a new context on Dark Eyes, and his latest ensemble pools young, players from the North of Europe. He welcomes two prodigiously gifted Finns into his group, pianist Alexi Tuomarila and drummer Olavi Louhivuori, both expressive and imaginative players, Jakob Bro (the young guitarist heard on ECM on Paul Motian s Garden of Eden) cast most often here in the role of subtle colorist, and fellow Dane Anders Christensen (on electric bass throughout) who provides the band s throbbing pulse.
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Tomasz Stanko - Egzekutor
This set contains one audio CD and one audio DVD with soundtrack to Filip Zylbert's 2001 motion picture "Egzekutor" . The audio DVD contains the same music material as audio CD, enhanced acoustically for multi-channel playback, based on the technique of multilayer recording.
Price: $29.99
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Tomasz Stanko - From a Green Hill
Stanko all stars linup: Bandeonista from Argentina, reedman from England's south coast, classical violinist from Detroit, bassist from Sweden, and drummer from Norway.
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Tomasz Stanko - Lontano
Stanko’s biography is a distinguished one, with many highlights and clearly defined ‘periods’. It is evident however that he has gained new energy and momentum from his association with Wasilewski, Kurkiewicz and Miskiewicz. In helping each of them to find their individual voices, he has strengthened his own.
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Tomasz Stanko - Music 81
The album documents short lived but very important Stanko's cooperation with McCoy Tyner - influenced pianist Kulpowicz, one of the most innovative bass players in Europe - Rek and the legendary drummer Czeslaw Bartkowski.
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Tomasz Stanko - Roberto Zucco
Stanko can compose an anti-structure like this and make compelling, if ghostly, jazz from it that keeps the listeners attention. (Thom Jurek, All Music Guide)
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Tomasz Stanko - Selected Recordings
Selecting material for this release has made me aware of major characteristics of my music. The direction: from chaos to order, from fury to lyricism. (Tomasz Stanko)
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Tomasz Stanko - TWET
Out in 1976, TWET (supposedly an acronym of musician's initials), is a perfect example of free-jazz attractiveness potential, so seldom truly realizes. But here it materializes, to the sensitive listener's satisfaction.
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Tomasz Stanko - Witkacy - Peyotl / Freelectronic
“Witkacy-Peyotl” album by Tomasz Stanko is inspired by Witkacy’s body of work. Stanko had been fascinated with Witkacy and his life for a long time, he read his works, he valued his paintings, he had even hung Witkacy’s portrait in his own apartment.
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Tomasz Stanko Quartet - Suspended Night
“Suspended Night” builds upon the conceptual framework established by its predecessor – the bulk of the album is devoted to a series of haunting and soulful “Suspended Variations” - but the improvisational quotient is expanded, as all participants take more solo space, and more chances.
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Tomasz Stanko Quintet - Music for K
Stanko's 1970 masterpiece pays homage to the memory of deceased friend and mentor - Krzysztof Komeda.
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Tomasz Stanko Quintet - Purple Sun
Purple Sun is a festive fusion album that works well within the constraints of the idiom and avoids all its pitfalls. Stanko and company liberally mix On the Corner-era Miles Davis with the tonal advancements of the Mahavishnu Orchestra.
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Tomasz Stanko, Andrzej Kurylewicz - Korozje
When music has this quality (sounding new each time), be it composed or improvised, written recently or long ago, in a particular recognizable style or none at all, none of this is of any consequence. The players don't matter, instruments are of no importance, the techniques of playing, the tonality of the piece, the tempo, all are just window dressing. The music is bigger than all these when its purpose is fulfilled. Absolutely, cheers to Stanko for his remarkable achievement.
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Tomasz Szukalski - Tina Kamila
The style here sparkles with a bit of the brightness of such "back to tradition" sessions of the time -- a bit too warm at times on the strings, but thankfully very straight ahead... (© Dusty Groove)
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Tomasz Szwelnik / Mikolaj Trzaska - Don't Leave Us Home Alone
Can you imagine a ballad composed of the same wild, unruly, non-harmonic sounds? Improvised without melodic line clearly outlined? Such, whose phrase is not memorable and the sound is difficult to repeat that? If you are able to state it can also imagine the music Mikolaj Trzaska and Thomas Szwelnik for alto saxophone, bass clarinet and prepared piano.
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Tomek Sowinski and The Collective Improvisation Group - Synergy
Tomek Sowinski, a Tri-City drummer and composer seems to be fascinated by the big band jazz tradition as well as by different kinds of ethnic music, especially connected with jazz idiom directly originating from Africa and Latin America. His second record with The Collective Improvisation Group reflects this fascinations.
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Trzaska / Friis / Uuskyla - Orangeada
The recording session took place shortly after the tour to Ukraine, during which the trio played concert in Lviv during the Ukrainian Orange Revolution. Not surprisingly, this historical event became the main driver for the recordings, its main inspiration, as well as an idea for the disc title.
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Trzaska / Friis / Uuskyla - Unforgiven North
...trio is characterized with freedom and peculiar talkativeness, which, according to their needs, allow them to poor a thick brew of red - hot sounds over the listeners heads.
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Trzaska / Gasser / Zerang - Nadir & Mahora
...Trzaska and Zerang more than deliver the expectations, but Gasser is absolutely stunning, with a really strong musical presence, a true revelation.
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Trzaska / Wirkus - Noc
Our meeting appeared to be the right idea. In short, the music for The Night is a combination of two extreme worlds my romantic, mawkish debauchery and tender, minimal analogue sounds of Wirkus machinery and enriched with economical drum structures. (Mikolaj Trzaska)
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Undivided - The Passion
"Passion" is Waclaw Zimpel's initiative and composer's work. This music is not meant to express any religious experience. It rather express musician's reflection about existence, experience and meaning of agony in human existence, it is not their individual statement of belief.
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Vijay Anderson - Hard-boiled Wonderland
Each combination of musicians shows a different approach and each one is successful in different ways. (Vijay Anderson - drums, bowls; Sheldon Brown - alto, tenor & soprano saxophones; Ben Goldberg - clarinet, contra alto clarinet in E-flat; Ava Mendoza - electric guitar; John Finkbeiner - electric guitar; Smith Dobson V - vibraphone)
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VISTULA RIVER BRASS BAND - Entertainer
The New Orleans Revivals is coming into its own, especially in its now second home - Europe. Based in Poland, the Vistula River Brass Band is the best example of European Dixieland. Among its 9 members there are two car mechanics, a graduate in hydrobiology, a technician mechanic, a teacher and the sociologist. Traditional jazz, the earliest jazz music of the worlds, has been owning its freshness and vitality to amateurs. In the amateur music making in the 20ties emerged the ideal of its tone, and its amateurs that keep it now so much alive.
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Vitold Rek - Bassifiddle alla polacca
A CD of original music and original arrangements for solo double bass and voice. The works include Polish folk music, short jazz essays, and character pieces. They are charming, witty, moody, and have an organic, home grown quality. Rek pays homage to the Jewish history of Middle Europe, as well as Polish history.
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Vitold Rek and EastWest Wind - Home
The globalization of jazz has long been a reality and its subsequent contact with ethnically diverse folk idioms has often produced exciting and creative music. This special synergy is no better showcased than this offering from Taso Music.
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Vitold Rek, John Tchicai, Karl Berger - 2 x 2
John Tchicai, Vitold Rek and Karl Berger, all jazz musicians of high caliber, present a diverse programme built on the theme of dialogue. … in dialogue nuances are revealed in very different way: you can concentrate on your partner much more intensely because the reactions in dialogue are more spontaneous and somehow more honest.
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Waclaw Zimpiel, Pawel Posteremczak, Ksawery Wójcinski, Pawel Szpura - Hera
HERA is barely a musical newborn. Its life is measured in months only, and it has already risen in revolt on stage like a teenager. Reminiscent of a rebel it defies fossilized jazz music patterns and leaves no trace of them through very efficient formal deconstruction. Fascinating orchestration ideas, impressive musical craftsmanship, the power of youth and a fresh approach to musical matter-all this makes them one of the most characteristic and most talented young jazz bands in Poland.
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Why Not Samba - Hot Cocktail Of Tropical Grooves From Cold War Poland
"Why not Samba" is the first compilation in the history o Polish phonograph, which shows the impact of Latin music on the Polish pop and jazz scene. At set of tunes from the 60's, 70's & 80's, recorded by various artists, who represent various styles like rock, jazz, or even psychedelic music. All said, they have one thing in common: they're all fascinated by tropical rhythms.
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Wlodek Pawlik - Grand Piano (2-CD)
The improvisations do not have titles. Nothing is suggests in writing, everything is left to listener's imagination, with no "waterfalls of prolixity".
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Wlodzimierz Nahorny Trio - Heart
Nahorny revels its sound, its strength, weight, color and expressiveness. Sound in isolation and against the background of daily noises, Sound in context of jazz and jazz i the context of the sound.
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Wojciech Kaminski - Open Piano
The 5th piano LP in series of "Polish Jazz" is merely indicating the domination of the piano by subtle exposure of the piano solo or by correlating the instrumental arrangement with the piano texture - and not other way around.
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